"Swizzles Matlow" is the name of a British confectionery company. But my friend Beta commented it was the perfect name for a character in a pulp noir novel, so I came up with the following two snippits. Both received a good reaction from my Facebook friends, so you'll probably see more of Swizzles and Nick. The second one started out as a comment to a one line status update a friend of mine made about measuring cups, that's what the measuring cup reference is about. Bonus points if you know where Mary-Allen is.
In Which Swizzles and Nick are Introduced...
She walked into the room with a gait that hung in the air like a broken question mark. "Aren't you going to buy me a drink, Mr. Danger?" she asked.
"Not sure I want to get involved with a dame who can break punctuation marks," I replied. "Besides. wehaven't been introduced. You obviously know my name, but what do they call you at the orthography repair shop?"
Her eyes flashed for a moment and a smile dusted her ruby-red lips as she said "Names? Names aren't important; they never were. But if you need something to need a convenient placeholder for cognitive processing, you can call me Matlow... Swizzles Matlow."
Swizzles and Nick Share a Tender Moment
It was a dark and stormy night as a shadow moved across the half-lit back alleys of the city. Two figures meet on a lonely street-corner. Masked by darkness, the first man's chiseled face is briefly lit by a quick drag from a cheap cigarette, betraying a crooked nose and a two-day old beard. Throwing the butt into the street, he muses about the fragility of life while watching the gutter-water carry the dirty cotton trash into the storm-drain. How like life; carried by barely seen forces towards an ignominious end.
"Do you have the package?" he finally asks, his words slow and deliberate.
"Right here. You have the cash?" the other says in reply. Her soft voice betraying a femininity hidden under an oversized Canada Goose(tm) parka.
"One dollar, ninety-eight Canadian; just as we agreed." he says, reaching for his wallet.
"SLOWLY!" the other demands, her instincts tripped by the sudden move of a hand into a breast pocket.
"Don't panic, Swizzles, I'm just going for my wallet," he says in his calmest voice. "You're my best source, there's no way I'm letting you get hurt." A wallet slowly emerges from behind his overcoat lapel. Flipping through the cash he peels off two one dollar bills. "Here, keep the change," he says, holding out the bills.
"You're a saint, Mr. Danger," she says, "and what do you know about getting hurt."
"Swizzles!" he pleads, a faint note of pain in his voice, "that's not what I meant." He continues, his voice beginning to crack, "And I think we both know about pain." Regaining his composure, his solid persona re-emerges with stern determinism in his voice, "Let's keep it about the transaction."
Opening the package he examines the merchandise. At once he discovers the flaw: "WHAT ARE YOU TRYING TO PULL HERE!" he yells. Two men he didn't notice before down the street suddenly stiffen and look their way.
"You asked for a measuring cup. I brought you a measuring cup. What's your problem!?" As she speaks the men down the street begin walking in their direction.
He talks fast to try to hurry the transaction. The interlopers down the street are walking slowly and cautiously, but it won't be long 'til they're close enough to make it a bad day for the both of them. "This isn't a cup! It's metric. And it's 250 milliliters. A 'cup' is an imperial measure. It's close to 240 milliliters. I can't use this!"
Swizzles thinks fast and makes a fateful, snap decision. The men now rapidly approaching are clearly part of the Mary-Allen Tong. She knows Old Man Li will be furious he was cut out of the deal. "Here! Take Mine!" she nearly screams as she removes her personal measuring device. "It's a third cup measure I use for rice, textured vegetable protein and other dry goods. It'll get you through 'til we rendezvous again."
Danger grabs at the cup and suddenly he finds himself grabbing her hand. He doesn't want to let go. A tear begins to well up from the corner of his eye, washed away by the cold rain coming off the lake. "Let go, Nick," she says, "you have to let go."
"I was a fool to let you go before," he says, his eyes locked on hers. His eyes, open to her completely, perhaps for the first time, reveal the depth of his love and the pain he endured when they fell away from each other.
"Oh Nicky!" her voice trembles, clipped by a quivering lower lip. "You must let me go."
Her head turns as she pulls her hand away from his. She doesn't look back as she walks out of his life once more.
On the north side of town a private dick drunkenly mumbles the words of old love songs, poisoning himself with cheap liquor just to get to sleep. In the background, the story on the TV news is about two unlucky south-side mob enforcers who wound up dead. Empty Micky's Big Mouth bottles litter the floor of his cheap hotel room and somewhere a woman cries herself to sleep.